Peer Review – Routine Message essay paper

Peer Review – Routine Message

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PEER REVIEW CHECKLIST

PART I: Get Peer Review – Routine Message Oriented

HOW TO ACCESS YOUR CLASSMATE’S SUBMISSIONS

YOU CAN ACCESS YOUR CLASSMATE’S ASSIGNMENT BY:

Clicking on one of your classmates’ names on the righthand side of the Rough Draft of [Assignment Name] landing page.
Clicking the “Show Feedback” hyperlink in the upper right-hand corner of the central white portion of the screen.
Maximizing the editing box by clicking the diagonal arrow in the upper right-hand corner of the gray window Peer Review – Routine Message that appears on your screen.

HOW TO PEER REVIEW YOUR CLASSMATE’S WORK

YOU CAN PEER REVIEW YOUR CLASSMATE’S WORK BY:

Reading your classmate’s submission once, in its entirety, without making any comments.
Reading the assignment 2-3 more times, using the checklists below (in Parts II and III) to help you identify the various writing errors and issues most likely to appear in your classmate’s work.
Leaving a comment, using the Canvas editing tools, for each error or issue you identify in your classmate’s work (see below for details). PLEASE NOTE: If you cannot find at least three points to criticize in your classmate’s draft, instead leave comments detailing what you liked or found effective about their draft.
Linking each of your comments to one of the categories Peer Review – Routine Message of the rubric, available at the bottom of the Rough Draft of [Assignment Name] landing page.

HOW TO COMMENT ON AND GRADE YOUR CLASSMATE’S WRITING

YOU CAN LEAVE COMMENTS ON AND GRADE YOUR CLASSMATE’S WORK BY:

Clicking the buttons for the pointer and highlighter editing tools in the top right-hand corner of the editing box to leave at least three comments on your classmate’s draft. PLEASE NOTE: Use the pointer tool to comment on individual words or punctuations marks; use the highlighter tool to comment on words, sentences, or phrases.
Closing the editing box and clicking the “Show Rubric” hyperlink on the right-hand side of the screen.
Completing and saving a rubric for your classmate’s draft(based on the instructions in the checklists below).
Repeating the process above for the other person whose Peer Review – Routine Message draft you’ve been assigned to review.

 

PLEASE NOTE: You will not be assigned drafts to review
until you arrive in class on the day when drafts are due.

PART II: Check for Grammar, Style, Format, and Organization

GRAMMAR ERRORS (Deduct 4% of total points from“Grammar & Professionalism”)

RUN-ON SENTENCE / SENTENCE FRAGMENT

DEFINITION:

Run-on sentences are units of text that include:

o two independent clauses [i.e. subject-verb pairs]joined without an appropriate conjunction or punctuation, or;
o an independent clause and a fragment joined without an appropriate conjunction or punctuation.

Fragments are:

o Units of text Peer Review – Routine Message that do not contain a complete subject-verb pair, and/or;
o Subordinate clauses that are not attached to a dominant clause.
HOW MANY ERRORS: Click or tap here to enter text.

HOMOPHONE ERROR

DEFINITION:

When writers confuse words that sound the same but have different meanings.

HOW MANY ERRORS: Click or tap here to enter text.

POSSESSIVE ERROR

DEFINITION:

When writers incorrectly indicate a possessive relationship between two nouns.

HOW MANY ERRORS: Click or tap here to enter text.

AGREEMENT ERROR

DEFINITION:

When the subject of a sentence disagrees in number with either its verb conjugation or with subsequent possessive pronouns.

HOW MANY ERRORS: Click or tap here to enter text.

DANGLING MODIFIER

DEFINITION:

When the implied subject of a subordinate clause does not correspond to the subject of a sentence’s Peer Review – Routine Message dominant clause.

HOW MANY ERRORS: Click or tap here to enter text.

 

 

MISCELLANEOUS STYLE ERRORS (Deduct 2% of total points fromStyle & Diction”)

WRITER-FOCUSED WRITING

DEFINITION:

When writers organize their sentences around themselves and their needs rather than their readers and their needs.

HOW MANY ERRORS: Click or tap here to enter text.

AWKWARD, OVERBLOWN, OR UNCLEAR WORD CHOICE

DEFINITION:

When writers use language that is unclear, needlessly complex, or inappropriate for its context.

HOW MANY ERRORS: Click or tap here to enter text.

CLARITY ERRORS (Deduct 2% of total points fromStyle & Diction”)

PASSIVE VOICE

DEFINITION:
o A sentence or clause in which the verb acts upon the subject (rather than vice versa);
o A sentence that obscures the logical order of causation:
Actor action recipient of action.
HOW MANY ERRORS: Click or tap here to enter text.

DUMMY SUBJECT / VAGUE PRONOUN

DEFINITION:

Sentences without a clear actor.

o Dummy Subjects: Sentences that begin with meaningless placeholders like “there are,” “there is,” or “it is” (when “it” does not refer to a noun from a previous sentence).
o Vague Pronouns: Sentences that begin with demonstrative pronouns like “this,” “that,” “these,” or “those” (and that are unaccompanied by a subsequent noun).
HOW MANY ERRORS: Click or tap here to enter text.

BURIED VERB

DEFINITION:

Verbs that have been transformed into nouns.

o(Tip: Many of the most offensive nominalizations end in “-ion” or “-ment.”)

HOW MANY ERRORS: Click or tap here to enter text.

INACTIVE VERB

DEFINITION:

Verbs that refer to states of being rather than actions.

HOW MANY ERRORS: Click or tap here to enter text.

NEGATIVE LANGUAGE

DEFINITION:

Sentences that contain the word “not” or other negations.

HOW MANY ERRORS: Click or tap here to enter text.

 

CONCISION ERRORS (Deduct 2% of total points fromStyle & Diction”)

LENGTHY / RAMBLING SENTENCES

DEFINITION:

Long sentences are sentences that require more than two full lines of text (using 10-12 point font).

HOW MANY ERRORS: Click or tap here to enter text.

EXCESSIVE USE OF MODIFIERS

DEFINITION:

Modifiers include amplifiers like “very” or “really,” as well as adjectives (words that modify nouns) and adverbs (words that modify verbs, typically ending in “-ly”).

HOW MANY ERRORS: Click or tap here to enter text.

REDUNDANT LANGUAGE (REDUNDANT PAIRS AND MODIFIERS)

DEFINITION:

Two common forms of redundant language include:

o Redundant pairs (paired words that have the same meaning), and;
o Redundant modifiers (adjective-noun / adverb-verb pairs where the modifier [i.e. the adjective or adverb] conveys a meaning that that noun or verb implies).
HOW MANY ERRORS: Click or tap here to enter text.

EVASIVE OR OBVIOUS STATEMENTS (HEDGING AND METADISCOURSE)

DEFINITION:

Two common forms of evasive or obvious statements include:

o Hedging (ambivalent language that weakens your message), and;
o Metadiscourse (writing about writing).
HOW MANY ERRORS: Click or tap here to enter text.

 

 

CONTINUITY ERRORS (Deduct 2% of total points fromStyle & Diction”)

WEAK LINKS BETWEEN SENTENCES

DEFINITION:

Sentence pairs that writers fail to link using one or more of the main continuity principles.

o Use sequencing to link sentences with different subjects
o Use transitions to indicate logical relationships between sentences
o Use common subjects to link sentences with shared subjects
HOW MANY ERRORS: Click or tap here to enter text.

 

COHESION ERRORS (Deduct 2% of total points fromStyle & Diction”)

WEAK PARAGRAPH HEAD

DEFINITION:

Paragraph heads are 1-2 sentence summaries of a paragraph’s content and purpose that appear at the beginning of all well-constructed paragraphs.

HOW MANY ERRORS: Click or tap here to enter text.

WEAK MAPPING STATEMENT

DEFINITION:

A mapping statement is statement that previews and/or summarizes the structure and arguments of lengthier documents. It typically appears in a document’s introduction and/or conclusion.

HOW MANY ERRORS: Click or tap here to enter text.

 

FORMATTING ERRORS (Deduct 2% of total points fromFormat & Organization”)

WEAK VISUAL APPEAL

DEFINITION:

The phrase ‘visual appeal’ describes documents that appear well-organized and easy-to-navigate. Documents with strong visual appeal typically feature opening and closing salutations, short paragraphs, bullets points, and/or signposts (include section headers).

HOW MANY ERRORS: Click or tap here to enter text.

IMPROPER DOCUMENT FORMATTING

DEFINITION:

Improperly formatted documents use a document format (ex.: email, memo, or formal letter) other than the one the assignment requires.

HOW MANY ERRORS: Click or tap here to enter text.

IMPROPER USE OF BLOCK FORMATTING

DEFINITION:

Block formatting describes the standard method of formatting the body of business documents. Texts that use block formatting feature single-spaced, left-justified text with a ragged right margin; un-indented paragraphs; and full line spaces between paragraphs.

HOW MANY ERRORS: Click or tap here to enter text.

 

ORGANIZATION ERRORS (Deduct 2% of total points fromFormat & Organization”)

PARALLEL PHRASING ERROR

DEFINITION:

When writers construct items in a series or list using more than one grammatical form.

HOW MANY ERRORS: Click or tap here to enter text.

WEAK FRONTLOADING / SUMMATION

DEFINITION:

Frontloading describes the process of summarizing one’s main point at the beginning of a message (where appropriate); summation describes the process of summarizing one’s main point at the end of a message (where appropriate).

HOW MANY ERRORS: Click or tap here to enter text.

INEFFECTIVE DOCUMENT STRUCTURE

DEFINITION:

The phrase ‘ineffective document structure’ describes documents or units of text that are organized in an ineffective, hard-to-follow, or unintuitive way. These documents may follow the prescribed structural guidelines for the message type in question but nevertheless be deficient in other areas of organization.

HOW MANY ERRORS: Click or tap here to enter text.

PART III: Check for Content

ALL MESSAGES (Deduct 4% of total points from“Content” for each “No”)

IS THE MESSAGE EASY AND/OR ENJOYABLE TO READ?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

DOES THE MESSAGE MAINTAIN AN APPROPRIATE TONE?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

DOES THIS MESSAGE SEEK TO DEVELOP GOODWILL WITH READERS?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

SUBJECT LINES (Deduct 4% of total points from“Content” for each “No”)

IS THE SUBJECT LINE ACTION ORIENTED?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

DOES IT INDICATE THE ACTION THE WRITER WANTS THE READER TO TAKE?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

DOES IT SUMMARIZE THE MAIN POINT OF THE MESSAGE?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

 

ROUTINE MESSAGES (Deduct 4% of total points from“Content” for each “No”)

DOES THE FIRST SENTENCE SUMMARIZE THE MESSAGE’S MAIN POINT?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

DOES THE MESSAGE CONTEXTUALIZE ITS STATEMENT OR REQUEST (IF NECESSARY)?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

DOES THE MESSAGE SUCCESSFULLY CONVEY ITS STATEMENT OR REQUEST?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.

WOULD YOU KNOW WHAT TO DO AFTER FINISHING THIS MESSAGE?

Answer “Yes” or “No.” If you answer “No,” explain why:Click or tap here to enter text.